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I've always been fascinated by hands. I still remember my grandfather's hands when I was a kid—how he'd grab mine as we walked down the street. His grip felt so strong that I thought I'd never be able to pull away, which made me feel really safe. Later on, I realized his hands were actually pretty small but solid.
That memory came back to me when I saw the Fritz Lang’s poster for M, with a big hand on the cover that perfectly captured the vibe of the movie.
Since then, I've noticed that a lot of filmmakers and artists seem to have a similar thing for hands.
Take a minute to write an introduction that is short, sweet, and to the point.
A bridge between thought and action, expression and connection.
Their textures, their ability to touch, to feel, and to create, make them one of the most intimate and versatile tools we have.
Robert Mitchum - The night of the hunter (1955)
